The past is a foreign country, they do things differently there.L.P. Hartley, The Go-Between
Galileo’s Revenge is based on events that took place in Florence in 1587. It was a very different world to ours. Italy was still divided into a dozen or more independent, competitive principalities – the Papal States, the Republic of Venice, the Duchy of Florence and Tuscany, the Two Kingdoms of Sicily and Naples (under Spanish rule), and so forth. The European super-powers of France and Spain and the Hapsburg Empire constantly manoeuvred for influence. The Ottoman Empire was ever a threat in the Mediterranean. At the same time Europe was torn apart by religious conflict: broadly the Roman Catholic Church against the new Protestant faiths. With the deaths of Michelangelo (1564) and Titian (1576), the High Renaissance in art may have finished, but there were exciting new developments in the sciences.
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I shall collect here my posts about life in Galileo’s Italy: about politics and religion, about literature and the arts, and about anything else that appears in my story – from hunting and alchemy, through pornography and poison, to clothing, wine, ice-cream and football.
But first and foremost, it was the ruling Medici family who provided the unavoidable background to everybody’s life in sixteenth-century Florence and Tuscany.
The Medici and Florence in the 16th century
Galileo’s Revenge is set in the city of Florence, Italy, ruled by the Medici Dukes of Tuscany. Originally a family of merchants and bankers, the Medici had dominated the government and culture of Florence throughout most of the 15th century, overseeing the first flowering of the of the Italian Renaissance. In 1492, on the death of Lorenzo the Magnificent1 (1449-92), their position seemed secure. Within two years, however, the Medici were ignominiously expelled from Florence.
There followed 36 or more years of political turmoil. The government see-sawed between a reaffirmation of the city’s republican tradition and the restoration of the autocratic Medici, before the definitive establishment of the Medici as hereditary Dukes of Florence (later, of Tuscany) in the 1530s. Thereafter their rule persisted into the next century and beyond.
I. 1494-1530 Republics and restorations
Between 1494 and the middle of the sixteenth century Italy, rich but politically fragmented, became a battleground for the rival French and Spanish-Imperial super-powers.2 France won the toss and invaded first in pursuit of an ancient claim to the kingdom of Naples in the south. Lorenzo the Magnificent’s heir, his inexperienced young son Piero de’ Medici (1471-1503), handled the crisis in an inept and high-handed fashion, and he and his brothers were driven out of Florence.
In principle, since its emergence as a medieval ‘commune’, Florence had been a democratic republic, albeit dominated by an elite group of wealthy families – the Strozzi, the Guicciardini, the Rucellai, the Davanzati and so on.3 But now a revised republican constitution was drawn up, founded upon a Great Council, which greatly extended popular participation in government.
This constitution survived until 1512, when the French finally withdrew from Italy and the Medici, with a Spanish army at their back, were invited to return to Florence. For the next fifteen years a series of young Medici ruled the city, but none were of the calibre of Lorenzo the Magnificent or his forbears.4 Then, in 1527, renewed hostilities between the French and Spanish-Imperial forces culminated in the devastating Sack of Rome, and the humiliation of the Medici pope, Clement VII (1478-1534). Once again this gave an opportunity for the expulsion of the Medici from Florence, and the restoration of the republican constitution. It was to be short-lived. In 1530 Spanish forces – now with the backing of Pope Clement – invaded Tuscany and laid siege to Florence. The city’s fortifications, supervised by Michelangelo, withstood cannon and assault. Nevertheless, weakened by starvation and disease, the city surrendered after ten traumatic months.
II. 1530-37 The Medici dukedom established
On the night of Epiphany in 1537, Alessandro de’ Medici stripped naked and made himself comfortable in the bed that had been prepared. His clothes – and the sword that he was going to need – were discarded nearby. He was awaiting Caterina Ginori, the beautiful and hitherto faithful wife of an elderly Florentine dignitary. Supposedly ready to submit, she was to be brought to Alessndro by his cousin and accomplice in such escapades, Lorenzino de’ Medici (1514-48). As Alessandro dozed, the door opened to admit Lorenzino and … not Caterina but Scoroncolo, a hired assassin or bravo, both men carrying drawn swords. In the ensuing struggle the unprotected and unprepared Alessandro was slaughtered, but not before he had bitten his cousin’s fingers to the bone as he tried to stifle Alessandro’s screams.
It may be that Lorenzino saw himself as a heroic Brutus figure ridding the city of a tyrant. The young Alessandro de’ Medici (?1511-37), had been installed as Duke of Florence in the aftermath of the city’s surrender in 1530.5 Although eccentric and self-indulgent and, as we have just seen, sexually predatory, Alessandro was a skilled politician, with a genuine interest in the problems of the ordinary people. Since his position as Duke had been endorsed as hereditary, the Medici had now, finally, established themselves as undisputed rulers of Florence.
Ironically, Alessandro was effectively the last male heir in the line of Lorenzo the Magnificent and, indeed, of the whole ‘senior’ line of the Medici descending from Cosimo the Elder (1389-1464). There was, therefore, an immediate problem of succession.6
III. 1537-74 Cosimo I
Urgent negotiations amongst the ruling elite turned up a relatively unknown and inexperienced youth, another Cosimo de’ Medici (1519-74), but from a junior line of the family. The Florentine patricians and the Spanish-Imperial representatives who chose this young Cosimo expected him to be a tractable stooge for their own agendas. He wasn’t.
Cosimo turned out to be one of the most radical and effective rulers anywhere within sixteenth-century Europe. Extraordinarily gifted both mentally and physically, once installed as Duke he set about steadily moulding Florence (and Tuscany) to his own autocratic purposes:
- He gradually eased Florence away from Spanish-Imperial control. Through a combination of subtle diplomacy and hard cash he persuaded the Emperor to withdraw his garrisons from Tuscany. Meanwhile Cosimo systematically strengthened the fortifications of Florence and other Tuscan towns.
- At home, Cosimo rapidly concentrated all political power into his own hands. He marginalized the patrician elite that had, one way or another, governed Florence for centuries, reducing its members to the status of mere courtiers. Endowed with a remarkable memory and an appetite for the detail of administration, Cosimo established instead a new class of professional bureaucrats, often middle-class or provincial men. And his grasp was total. Anxious to avoid the political upheavals of previous generations – and to avoid the recent fate of Alessandro at the hands of Lorenzino – Cosimo operated a dense and extended network of spies and informers. Political dissent or even discussion was a serious crime. The Tuscan language itself was to be regulated by his new foundation (1540), the Florentine Academy. Cosimo was the prototype of the centralized, autocratic/bureaucratic totalitarian states of the following centuries.7
- He devoted himself to glorifying the Medici family – and himself in particular:
- he commissioned sympathetic histories;
- he commissioned art works, both individual portraits or statues of family members (such as Lorenzo the Magnificent or the Medici Pope Leo X), and also grand frescoes depicting their military and political triumphs;
- he ordered extravagant pageants celebrating the family’s achievements.
Ever jealous of his reputation, in 1569 Cosimo managed to persuade the Pope to elevate his title from ‘Duke of Florence’ to ‘Grand Duke of Tuscany’. Apparently devastated by the deaths of his beloved wife and two of his sons in 1562, Cosimo abdicated in 1564, the year of Galileo’s birth. He died in 1574.
IV. After 1574. Cosimo’s heirs
This time there was no crisis of succession. Cosimo had been as good at procreation as at most other things. His adored wife, Eleonora of Toledo (1522-62), delivered him eight children. Even after the loss of two sons there remained three more: Francesco (1541-87), Ferdinando (1549-1609), and Piero (1554-1604).
Cosimo must have been a difficult act to follow. His eldest son Francesco – aloof, moody, self-absorbed – largely lacked his father’s huge ability and intense engagement with government. Fortunately, the bureaucracy established by Cosimo continued to run itself. Francesco was thus free to devote himself to collecting (coins, gems, antiquities and curiosities), to alchemy, to extravagant entertainments and to mistresses.
He is mostly remembered for the first and the last of these. That is, firstly, for the exquisite, dark, and richly decorated room, his ‘Studiolo’, that he constructed in the Palazzo Vecchio to house his collections. And, lastly, for his charismatic mistress Bianca Cappello (1548-87), whom he married, contrary to all expectations and etiquette, after the death of his first wife, Joanna, in 1578. The deaths of Francesco and Bianca in 1587, within twelve hours of each other, whilst on a hunting holiday with his brother Ferdinando, inevitably caused much speculation. But whatever suspicions there were about the ducal couple’s deaths – given out as due to malarial fever – there was little opposition to Ferdinando’s succession, despite the fact that he was a cardinal, and despite the fact that Francesco had had a young son, Antonio, by Bianca.
A far more hands-on ruler than his brother, Ferdinando revitalized and stabilized the government and the economy after the years of Francesco’s neglect. Although as wealthy if not wealthier than any of his forbears, Ferdinando lived relatively modestly. Times had changed: the Catholic (or Counter-) Reformation had generated (or imposed) a mood of piety and moral restraint. In his will Ferdinando declared ‘that he was to be buried without fuss and that the normal expenses for a grand-ducal funeral were to be set aside as a trust for poor children in Florence and Siena.’ (Hale 152)
The Medici continued to rule Tuscany through the seventeenth century, but the line died out without male heir in 1743. Appropriately, however, given the shift of economic power away from the Mediterranean to the Atlantic, Francesco’s daughter Maria (1573-1642) became Queen of France, and her daughter Henriette Marie (1609-69) married Charles I to become Queen of England.
The banner image at the top of this page is ‘Venus and Cupid with a Lute Player’ by Titian © Fitzwilliam Museum, Cambridge
- Actually, ‘Il magnifico’ was a fairly conventional label, like ‘eccellentissimo’ etc.
- Not to mention the Ottoman empire in Istanbul.
- Almost all the other similar cities in medieval Italy had long since fallen under the domination of hereditary ruling families: the Sforza in Milan, the Gonzaga in Mantua, the d’ Este in Ferrara. Only Venice persisted with a (limited) democracy with an elected Doge.
- Although there were two capable Medici popes, Leo X and Clement VII.
- He was given out to be the illegitimate son of the Lorenzo de’ Medici who ruled Florence 1513-19, but it is more likely that his father was in fact Giulio de’ Medici (1478-1534), by now Pope Clement VII, who was master-minding the negotiations in Florence.
- It is worth noting that Alessandro’s (legitimate) sister Caterina de’ Medici (1519-89) went on to become an extremely powerful and effective Queen of France.
- Think especially of Louis XIV of France, The Sun King: ‘L’etat, c’est moi’.